May
2

The Laptop DJ Handbook

Audio | No Comments

This book redefines what it means to be a DJ in the ever-evolving DJ world. Powerful computing combined with innovative design has provided the modern DJ with branching options for creative expression. Through description and example, readers are presented with fundamental tutorials as well as various creative performance configurations for three of the more popular audio software applications: Traktor Pro, Serato, and Ableton Live.

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Apr
29

Stagehand TV- An Introduction to Audio Compressors

Audio Equipment | No Comments

In this series on compression we will show you the full shebang starting with what compression does, the controls, how to apply it, using compression to get effects such as parallel, ducking and the all important side-chaining compression effect


Understanding Compressors

Compression On Drums

Compression On Guitars & Other Instruments

Compression Effect

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Apr
29

Stagehand TV-The Basics To Getting Your Digital Audio Workstation (DAW) Set-Up & Runn

Recorded Engineering | No Comments

In this series we look at industry tips, tricks, and techniques for producing professionally mixed audio on any digital audio workstation. The course offers recommendations for setting up an optimal listening environment, highlights the most efficient ways to set up and balance a mix, and shows how to build a powerful sound with compression. The course also explains how to master the intricacies of EQ; incorporate reverb, delay, and modulation effects; and generate the final mix.


Improving Your Listening Environment & Prepping Your Mix

Learning the Basics of Mixing & Building Your Mix

Panning

Exploring Compression

Using Noise Gates and De-Essers

Learning About EQ Applying EQ to the Rhythm Section Applying EQ to the Instruments


Understanding & Adding Reverb


Adding Delay


Adding Modulation Effects

The Final Mix

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Apr
26

Stagehand TV-How To Mic An Acoustic Guitar

Recorded Engineering | No Comments

Ask five engineers how they approach recording acoustic guitar, and you may very well get five different answers, if you get any at all, that is. While many factors influence an engineer’s choice of recording techniques — the character of the instrument, the style of music, the player’s personal tonal and dynamic signature, and the recording environment — some engineers prefer to keep their approaches a trade secret. But despite all the possible permutations of instrument, style, player, room, and ego, for most seasoned engineers the real secret to recording an acoustic guitar is stereo miking — plain and simple.

We take a look at the right way to Mic up a Acoustic Guitar in a few different enviroments.

Mono Microphone Placement
Three Different Guitars
Adding a Microphone


Adding a Direct Box

Mid-Side Technique
X Y Technique
EQ
Microphone Review

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Apr
24

ProAudio Review Magazine April 2012

Audio | No Comments

Click on the guide above to start reading NOW!

Pro Sound News covers the latest developments in Live Sound, Recording and Music Production, Post Production, Broadcast, Audio Technology and Audio Gear.

Mission
Our mission is to provide coverage of the latest developments in Live Sound, Recording and Music Production, Post Production, Broadcast, Audio Technology, and Audio Hardware and Software Retail.

Company Overview
Pro Sound News magazine provides professional sound production industry with the business technology and trend information.

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