Digital Photography World features the most handy hints and tips on how to shoot quality pictures and improve your camera and digital imaging skills and is brought to you by the teams behind the highly respected What Digital Camera and Amateur Photographer magazines.

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As assistant costume designer, Charlotte has worked on many critically acclaimed projects with top costume designer Andrea Galer, including MANSFIELD PARK, BLACKPOOL and the BAFTA-winning BLEAK HOUSE.

With extensive period drama experience under her belt, Charlotte went on to design Tom Vaughan’s award-winning feature STARTER FOR TEN.

Charlotte completed a Period Costume design course at the London College of Fashion and has worked in France, Romania, Spain, Italy and Hungary.

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Glam Rock Magazine is a fashion based webzine bringing you interviews, stories and insight to the fashion and beauty industry. We concentrate on bringing you all the latest on the industries core representatives; including Fashion Designers, Makeup Artists, Photographers, Bands and Stylists, as well as the artists and designers who influence them. We are the ones who make the fashion, the music, the feeling of the life you

The final four contestants feel the pressure closing in as they face their ultimate challenge. They meet McKenzie with apprehension and eagerness as she tells them that their task this week is to reimagine two characters from a fairy tale, placing them in an entirely foreign world. As the winner of last week’s challenge, Sam gets to choose first, and from the list of tales and worlds that McKenzie provides, Sam combines The Little Mermaid with psychedelia. Tate sets Little Red Riding Hood in a post-apocalyptic land, Gage works Hansel and Gretel into an industrial milieu and Conor blends The Frog Prince with ghost stories.

After two days with their respective teams, Conor, Sam, Tate and Gage bring their concepts to the reveal stage, the site of a ****tail party honoring the finale. The party guests include not only the judges, but also by some of the industry’s most respected artists, many of whom were guest judges on this show, such as Michael Westmore, Filippo Ioco, Greg Cannom, Mark Viniello and Sean Cunningham. Tonight, the contest is not the only thing on the line for the competitors – their reputations are at stake, as well!

The piece with the most impact – dynamic tension in the face, creativity in the approach and ambitious scope – is Conor’s. The judges are impressed by his consistent technical acumen, and proud that he was finally able to take the note to take a big risk. He aimed high and it paid off in the biggest way. All of the finalists have many pieces to be proud of, and experiences that will be with them for a lifetime.

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Effects artists must be able to transform their models, but what do you do when your model is yourself? And what if you have to transform yourself so successfully that the person closest to you doesn’t realize it’s you? Those are the questions that the remaining five contestants will answer this week. They have to create a makeup of an alternate persona for themselves, one that’s so convincing that it can fool a girlfriend, a husband or a mom.

Tate goes right for the thing that his girlfriend hates most, doughy goth guys, figuring that if she can’t stand to look at him, she won’t notice that he’s, well, him. Gage and Sam have a harder time deciding, but choose radical routes: Gage transforms himself into a black woman, and Sam turns herself into a middle-aged man. Conor takes a safe route, thinking less is more, so he keeps his own basic facial structure while adding about 20 years and a scraggly beard. Megan takes a turn that might not have anything to do with the contest: She’s modeling her persona on Diana, Conor’s go-to model. Could she be trying to win his heart by changing her face? As Gage and Tate shave (preparing to apply their facial prostheses), they ruminate on what ulterior motives Megan may have.

Judgment day arrives and, thankfully, the contestants have assistants! A small crew comes in for two hours to help the competitors put the silicone in those hard-to-reach places. Megan freaks out about her prosthetics -they’re bubbling, they didn’t come out the way she wanted them to, and she just can’t handle it. Piece by piece, she rips them off her face and starts over with a simple beauty make-up, hoping that her darkened skin and blond wig will do the trick.

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