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Glam Rock Magazine is a fashion based webzine bringing you interviews, stories and insight to the fashion and beauty industry. We concentrate on bringing you all the latest on the industries core representatives; including Fashion Designers, Makeup Artists, Photographers, Bands and Stylists, as well as the artists and designers who influence them. We are the ones who make the fashion, the music, the feeling of the life you

The contestants visit the Natural History Museum of Los Angeles, where they learn that they must create a human-dinosaur hybrid ahead of a double elimination.

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Throughout its 90-year history, ARRI has been associated with constant innovation and revolutionary technologies in all of its core businesses. The company is involved in all aspects of the film industry: engineering, design, manufacture, production, visual effects, postproduction, equipment rental, laboratory services and studio lighting solutions. Manufactured products include cameras, lighting fixtures and digital postproduction tools. In addition to camera systems for 16 mm, 35 mm and 65 mm film, ARRI leads the field in digital acquisition with its ALEXA digital camera system, which delivers the highest quality images with minimal noise, wide dynamic range and workflows. Lighting products encompass traditional technologies as well as the latest advances in LED illumination, while the ARRISCAN film scanner and ARRILASER film recorder have become ubiquitous, indispensable tools in postproduction facilities all over the world. Film and digital image manipulation, restoration, archiving and preservation are addressed with products such as the ARRISCAN Wetgate and various archive tools.

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The artists must modify an ordinary occupation into a character worthy of a Tim Burton movie, and three contestants face elimination. Guest judge: Catherine O’Hara

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A look at the first years of Pixar Animation Studios – from the success of “Toy Story” and Pixar’s promotion of talented people, to the building of its East Bay campus, the company’s relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

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